- HOW TO CHANGE MICROPHONE FROM MONO TO STEREO HOW TO
- HOW TO CHANGE MICROPHONE FROM MONO TO STEREO FULL
To “tilt” the image more to one side or the other, bring the appropriate Pan control more toward center.
HOW TO CHANGE MICROPHONE FROM MONO TO STEREO FULL
When dimmed, it de-activates all the Dual Pans, so it’s easy to compare the synthesized stereo and original mono sounds.įor the full stereo effect, set the Left Pan fully counter-clockwise, and Right Pan fully clockwise. Pan the frequency bands as desired in the stereo field. The five left-most knobs control panning for the five bands. It’s okay if you recorded the track in mono just make sure Channel Mode is stereo when you play back, or convert the mono to “dual mono” by selecting the Event while the Channel Mode is stereo, and typing Ctrl+B. The track being processed has to be in Stereo channel mode.
HOW TO CHANGE MICROPHONE FROM MONO TO STEREO HOW TO
How to Use the Super-Simple Mono-to-Stereo Converter The two right-most controls are tied to a Dual Pan at the output, and serve as “master pan” controls. The five Pan knobs vary the Pan parameters in the five Dual Pans (one for each frequency band). However, it would be pretty easy to do it yourself. There’s a downloadable FX Chain, which takes care of the parameter assignments for the Macro Controls (Fig. This is what creates the stereo image.įigure 1: Block diagram for the Super-Simple Mono-to-Stereo Converter. So, you can use the Pan controls (which are brought out to the Macro Controls panel) to place each band wherever you want in the stereo field. A Dual Pan follows each band, with Link enabled and Width set to 0%. The mono-to-stereo conversion process works by splitting the incoming signal into five frequency bands (Fig. While not as editable as the previous approach, it does the job, is simple to use, requires virtually no CPU power, and the stereo signal collapses back to mono with no problems. However, it’s also possible to convert mono into stereo within a single track-no buses needed-with a Splitter and some pan controls. This is a very flexible setup because you can automate the Multiband Dynamics parameters, as well as add in compression selectively if desired. EQ can do an effective, albeit not as dramatic a job, and I wrote a blog post about How to Create Delay-Free Stereo from Mono using two Multiband Dynamics processors. Although some people use delay to convert mono to stereo, this can be fraught if the stereo needs to collapse back to mono eventually. It may be a stereo world, but we still have a lot of mono signal sources.